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Making Music - 74 Creative Strategies for Producers | Ableton
9/8/ · if you want to download or read Aqualeo's The Book of Making Music: 74 Creative Strategies for Electronic Music Producers, click button download in the last page 5. Download or read Aqualeo's The Book of Making Music: 74 Creative Strategies for Electronic Music Producers, by click link below MORE DESCRIPTION OR Ableton 8/4/ · Ableton is doing its bit to keep us on a creative to tip while we’re at home. Having already offered a day trial of its flagship Live Suite DAW bundle, it’s now giving away the digital edition of its excellent book, Making Music - 74 Creative Strategies for Electronic Music Producers, for blogger.comted Reading Time: 40 secs
Making music 74 creative strategies pdf download
For many artists, nothing inspires more existential terror than actually making art. The fear that were not good enough or that we dont know enough results in untold numbers of creative crises and potential masterpieces that never get realized. Electronic musicians used to be able to hide behind clunky, emerging technology as an excuse for inaction. But musicians today live in a golden age of tools and making music 74 creative strategies pdf download. A ninety-nine-cent smartphone app can give you the functionality of a million-dollar recording studio.
A new song can be shared with the world as soon as its finished. Tutorials for every sound design or music production technique can be found through a Google search.
All of these developments have served to level the playing field for musicians, making it possible for a bedroom producer to create music at a level that used to be possible only for major-label artists. But despite all of this, making music is still hard. Making Music was written both to answer this question and to offer ways to make it easier. It presents a systematic, concrete set of patterns that you can use when making music in order to move forward.
A problem is a roadblock that stops you from making progress with a particular piece of music. The problems in this book are real-world situationsyoull likely recognize many of them as things that have held you back in the past.
A problem might appear at the beginning e. cant decide how to finish. A solution is a concrete instruction or small set of instructions that will solve the stated problem. Like the problems, the solutions are also real; if you apply the solution, the problem will be solved.
Note that this requires you to actually do the solution; in most cases, reading it wont be enough to move you forward. Making Music can show you the way, but you still need to do the work. Who is this book for? If you make original music using computers and youve ever found yourself struggling to complete your musical projects, Making Music was written for you. While many of the patterns discussed here can probably be modified or directly applied to other types of music-making such as composing for rock bands or string quartetsthe goal of this book is to solve the specific problems that people have when working with machines, rather than with instruments or other people.
While no prior skills are really necessary to make use of this book, Ive written it assuming you have a basic understanding of at least one digital audio workstation DAW or similar music production environment.
No specific tool is required, and the problems and solutions discussed arent specific to the workflow of any particular piece of technology, making music 74 creative strategies pdf download. A basic understanding of the fundamentals of musicchords, scales, and concepts of rhythmis useful but not a prerequisite.
Although it may not always be obvious, the patterns are all general enough that they can be used by musicians working with any genre of electronic music, from commercial dance music to the making music 74 creative strategies pdf download. Although some of the explanations used refer to actual genres or even specific examples of music, I encourage you to read around these. descriptions in order to get at the essence of the pattern so that you can apply it to your own work.
Whos the author? I am a musician with a background in a variety of different worlds. I studied classical composition, music theory, and percussion, although these days I primarily write electronic music in the direction of house and techno. I grew up just outside of Detroit, and all of the amazing music that came from and through that city was a big influence in my early musical development.
Although this book aims to be as genreneutral as possible, its very much written from my personal perspective the things I talk about here are a reflection of things I actually think about and employ in my own music. How to use this book. Think of Making Music as something like a travel guide. Theres no explicit order to the patterns, although things tend to be loosely grouped by concept.
You can read and experiment with the various patterns as you need them in order to solve particular problems as they come up in your own work. Sometimes the patterns will explicitly relate to others, and I often refer to other patterns to help clarify the current one. So while its not necessary to read the whole book cover to cover, doing so will probably help you to find relationships between the various patterns and to see them as a system, rather than as isolated examples. How this book is organized.
The patterns themselves are grouped into sections based on where in the writing process a particular musical problem is likely to occur. These are:. These are problems that prevent you from starting at all. They include problems of inspiration, problems realizing the sounds you hear in your head, etc.
The solutions include exercises to develop better active listening and explorations of various ways of playing with sound, harmony, melody, rhythm, and musical form. These are the most common roadblocks when working and occur once youve made something but are still a long way from the end. They include problems of fatigue, problems developing and varying material, etc. The solutions include exercises to generate new material, shape song structure, and stay in the creative flow.
These problems occur when you feel that almost but not quite everything is in place, but you are unable to reach a satisfactory conclusion. The solutions include ideas for creating convincing arrangements and for creating powerful endings.
Why is this book needed? There are already many waysbooks, classes, video tutorials, software documentation, private teachersto learn about music technology and music production. Im a strong supporter of all of this, making music 74 creative strategies pdf download, and I encourage anyone whos interested in this book to also take advantage of these resources.
But almost all of them focus on the second half of the equationtechnology or productionrather than the first half: music. Making Music is an attempt to help people who are comfortable with the basics of music production at a technical level but who still find music-making to be a difficult process which I suspect is all of us! This book will not teach you how to use a compressor, program a synthesizer, or make a great-sounding kick drum.
Those aspects of music-making are already well covered. What it will teach you is how to make music using those tools, with a specific emphasis on solving musical problems, making progress, and most importantly finishing what you start.
While I hope you find Making Music inspiring, I hope even more that, making music 74 creative strategies pdf download. what inspires you is the music you make using these patterns. Making Music is not a collection of vague aphorisms. Instead, it combines motivational ideas about the philosophy and psychology of musicmaking with hands-on tools and techniques that musicians of all kinds can use to really get work done.
Contents Preface Problems of Beginning Three Ways to Start Catalog of Attributes Avoidance List Active Listening Listening to Music You Hate Mise en Place Arbitrary Constraints Write drunk; making music 74 creative strategies pdf download sober Choosing a Tempo One Part at a Time Different Tools Presets as Starting Points The Tyranny of the Default Simple Sounds Extended Techniques Goal-less Exploration Procrastination and Timeboxing Collaboration Thinking Like an Amateur Scraps and Sketches Problem-Solving as Distraction Personal Workflow Originality vs.
Quality Process vs, making music 74 creative strategies pdf download. Product On Work Problems of Progressing Breadth Before Depth Foreground, Middle Ground, and Background Fuzzy Boundaries Creating Variation 1: Mutation of Clones Creating Variation 2: Mutation Over Generations Creating Variation 3: Note Transformations Implied Rhythm in Short Loops Asynchronous or Polyrhythmic Loops Misusing Rhythmic Tools. Three Ways to Start Problem: Youre staring into the void of a new empty project in your DAW, and you have absolutely no idea how to begin.
The blank slate making music 74 creative strategies pdf download be the most intimidating place in a creative environment. Once were in a flow, ideas tend to spawn additional ideas. But before we have anything, all options are available, so choosing seems impossible, making music 74 creative strategies pdf download.
One Part at a Time is certainly a way to move forward, but which one part comes first? When you have nothing, even choosing one part can feel like an impossible hurdle. The simple-sounding answer is It doesnt matter how you start; just do! This might work well as a sports slogan, but its perhaps too glib and dismissive to be really practical for creative work, in which the number of things to potentially just do are limitless and the path forward is not at all obvious.
Here are three practical suggestions for how to begin from nothing. Start with the foundation. In most genres, we can think of the bottom of the music as being the low-pitched or purely rhythmic instruments, such as the bass and drums.
On top of these are added instruments that are progressively higher in pitch. By starting with the bottom, we provide both a conceptual and musical foundation for everything else. The drums often provide the essential timekeeping elements, while the bass often provides the notes that define and anchor the chord progression. If youre working in more making music 74 creative strategies pdf download genres that dont use these conventional instruments, its still likely that some elements can be considered foundational perhaps a droning layer or something that approaches a repetitive rhythm.
Start with what you hear. Many musicians never or rarely get spontaneous musical ideasall of their music comes from active work.
If you happen to be lucky enough to hear original musical ideas in your head, then you should absolutely use them as the basis for your own work. For example, maybe you have a melodic idea that youve been humming, or a rhythm that youve. tapped out on the table. Just because these ideas came to you outside of your active music-making context doesnt mean you should discard them.
On the contrary, these accidental ideas are sometimes the most interesting ones you can have. Start with what you know. If you play a real physical instrument, try using it to generate your ideas. Even if youre writing purely electronic music and have no plans to use instrument recordings in your work, your natural physical connection to your instrument may help you come up with more interesting and organic musical ideas than you can get from just working with a mouse and a MIDI controller.
For example, guitarists tend to voice chords and approach harmony in a different way from keyboardists. But because keyboards are the de facto control surface for entering music into a DAW, many guitarists might never think making music 74 creative strategies pdf download use their guitars in an electronic music context. Drummers rarely play the kind of beats that are used in many types of electronic music, but sitting behind a real drum kit might stimulate creative ideas that would feel alien on a pad controller.
The trick with this approach is being able to accurately translate the acoustic idea to the electronic medium, but thats a good problem to have; much better than having no ideas at all, making music 74 creative strategies pdf download. Catalog of Attributes Problem: Creative musicians find inspiration in other music.
While we seek to make music that is uniquely our own, every other piece of music we hear is automatically processed and becomes an unconscious part of our musical vocabulary. Taking too much is theft. Taking too little fails to acknowledge our influences. For musicians who aim to find and develop a unique voice, there will always be an internal conflict to resolve when hearing music that is inspiring.
Free Production Tips Ebook - Creative Strategies For Finishing More Music
, time: 1:56Making music 74 creative strategies pdf download
9/8/ · if you want to download or read Aqualeo's The Book of Making Music: 74 Creative Strategies for Electronic Music Producers, click button download in the last page 5. Download or read Aqualeo's The Book of Making Music: 74 Creative Strategies for Electronic Music Producers, by click link below MORE DESCRIPTION OR 8/4/ · Ableton is doing its bit to keep us on a creative to tip while we’re at home. Having already offered a day trial of its flagship Live Suite DAW bundle, it’s now giving away the digital edition of its excellent book, Making Music - 74 Creative Strategies for Electronic Music Producers, for blogger.comted Reading Time: 40 secs Just got an email from Ableton that their book Making Music: 74 Creative Strategies for Electronic Music Producers is temporarily free as a download. Something I've been interested in going through though never actually purchased and thought others may be interested in some stay at home reading through this deal as well
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